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The investigative journalist Claudio Gatti reported last October that Ferrante’s true name was Anita Raja, a Rome-based translator whose middle-class background differed from that fostered by Elena Ferrante, which more closely resembled the struggling background of her two protagonists.Gatti was criticised for a gross violation of the writer’s privacy and some believed he would be blamed if Ferrante disappeared from public life.Rai is putting its own creative stamp on the country’s high-end TV output and fueling a burst of vibrancy in Italy’s TV community.In a related break with the past, Rai is also venturing into bold business models by teaming up with Netflix on the streaming giant’s first Italian original, “Suburra,” and with HBO on “My Brilliant Friend,” which is based on the first of the four “Neapolitan Novels” by Elena Ferrante.No es tracta d’una nina qualsevol, sinó de de la nina d’una família.Estem parlant d’aquell element que el psicoanalista Donald Winnicott va definir com a ‘objecte transicional’, que permet a l’infant confrontar l’angoixa que li comporta separar-se gradualment de la mare.
As Italian high-end content becomes a hot international commodity thanks to groundbreaking shows such as Sky’s “Gomorrah” and “The Young Pope,” the pubcaster that produces roughly 70% of Italian TV fiction is ready to seize the moment.
Ferrante is reportedly also working on a screenplay for the TV adaptation of the Neapolitan novels, which is slated to air on HBO in the United States. Stephanie Kirchgaessner in Rome New work is understood to be a novel separate from TV screenplay writer is working on for adaptation of Neapolitan series Elena Ferrante is back. It has been just over a year since the Italian novelist behind My Brilliant Friend and the rest of the highly acclaimed Neapolitan series was outed by an investigative journalist who claimed to have discovered her true identity.
Since then, fans of Elena Ferrante, who has always written under a pen name, had reason to worry she might not return.
Finally, some good news: Elena Ferrante is writing again.
Last year, after Ferrante’s identity was allegedly outed by Italian journalist Claudio Gatti — despite her oft-stated desire to remain anonymous — many worried that the pseudonymous author of the Neapolitan novels would never write again.
Resisting again the temptation to expand our list, we offer an admittedly incomplete collection of the year’s English translations and invite you to add your favorites in the comments. Thank you for being in conversation with us this past year.